Maggie 's plan to have a baby on her own is derailed when she falls in love with John, a married man, destroying his volatile marriage to the brilliant and impossible Georgette. But one daughter and three years later, Maggie is out of love and in a quandary: what do you do when you suspect your man and his ex wife are actually perfect for each other?

A dachshund passes from oddball owner to oddball owner, whose radically dysfunctional lives are all impacted by the pooch.

Lola ( ) is 29 years-old and is happily engaged to her perfect man, Luke ( ). But just three weeks before her big day, Luke calls it off, and Lola is forced to re-group as she cancels the wedding. While struggling to find happiness through sexual flings with her best friend, first dates with strangers, and attempts at re-connecting with her ex-fiancé, Lola realizes she's going to have to find herself first before she can find love and happiness.

Four struggling actors retreat to a cabin in Big Bear, California in order to write a screenplay that will make them all stars. Problem is: What happens when their story idea -- a horror flick about a group of friends tormented by a villain with a bag over his head -- starts to come true?

A man and woman must face the tension that builds between them during a long-distance relationship.

In the 1980s, college student Samantha Hughes takes a strange babysitting job that coincides with a full lunar eclipse. She slowly realizes her clients harbor a terrifying secret; they plan to use her in a satanic ritual.

A kaleidoscopic film portrait of Shelly Brown, a twenty-three year-old alienated urban misfit recently released from a psychiatric hospital.

We like Florence: she's considerate, sweet, pretty, and terrific with kids and dogs. She's 26, personal assistant to an L.A. family who's off on vacation. Her boss's brother comes in from New York City, fresh out of an asylum, to stay at the house. He's Roger, a carpenter, 40, gone from L.A. for 15 years. He arrives, doesn't drive, and needs Florence's help, especially with the family dog. He's also connecting with ex-mates - two men and one woman with whom he has a history. He over-analyzes, has a short fuse, and doesn't laugh at himself easily. As he navigates past and present, he's his own saboteur. And what of Florence, is Roger one more responsibility for her or something else?